2023年5月21日

点头向法国新浪潮的诱人的摇摆,安东尼·陈创建一个三个年轻人的画像被困在自己的生存危机06.37太阳2023年5月21日于新加坡陈导演安东尼带来温暖,同情和直接在延吉市这个亲密的戏剧集在中国与朝鲜的边境。三个年轻人——两个男人和一个女人建立连接;每个正在寻找一种自由自在的情感深冻他们降落在,就像整个世界想解冻本身巨大的停滞Covid创建的大流行。最好的,这部电影有容易白天的法国新浪潮的摇摆,与戈达尔的邦德。那部电影无疑是在陈的心中时,他创造了一个场景中,他的三个人物有一个疯狂的敢对谁可以从书店偷书最大的他们无精打采地漂流通过;野生,咯咯笑冲导致混乱和羞辱的结局。但是一些情节点,特征是置之不理或anticlimactically关闭;有一些关于朝鲜的危险罪犯逍遥法外,摒弃得令人困惑。叙事融水使事情有点湿,坦白说,有一个特殊的繁荣的CGI林地荒野的长白山,没有给我们任何地方,并与其低调的现实主义直接的一切。然而,所有三个表演,是巨大的。 The film starts in Yanji in winter, a city home to a large ethnically Korean population. Chen begins with an intriguing shot of ice-blocks being cut and carted away to form the walls and avenues of a tourist-attraction maze; the metaphorical possibilities of all this are left reasonably unemphasised. Haofeng (Liu Haoran) is a shy, bespectacled young man from Henan who is visiting to attend the wedding of a schoolmate. He has a neurotic, faintly self-harming habit of munching ice cubes; when a caller to his mobile reminds him about a mental health therapy appointment he repeatedly and curtly announces they have the wrong number. On a rather grim bus trip around the local sights and cultural craft centres, Haofeng is befriended by the tourist guide, Nana (Zhou Dongyu) who affectionately teases and befriends this lonely and unhappy-looking guy. When he catastrophically loses his phone (an accident perhaps subconsciously willed by his reluctance to get any more calls from the mental health clinic), she takes pity on him and impulsively asks him to come along for a drink she’s having that night with the guy who manages the restaurant to which she brought the tourists. This is Han Xiao (Qu Chuxiao), a moody, macho guy who has been exasperating Nana with his periodic drunken, and questionably sincere, declarations of love. The three have a kind of love adventure à trois; Haofeng is to discover Nana’s past and the sporting career she abandoned before she became a tourist guide, a (somewhat contrived) secret which comes out when they have sex. As for Han Xiao, his own family background is weighing on him, and for him also Yanji is a prison of ice. There are some great scenes, strong images, nice setpieces and Chen triangulates the sexual tension interestingly. The Breaking Ice is not as absorbing or fully realised as his award winning debut Ilo Ilo , but his film-making has an arresting fluency and openness.